Skoro sam zaboravio. T-Mobile reklama
by Zombix on pro.27, 2008 - 19:27, under Uncategorized
Stvar koja nemilice ide prema mjestu na kojem se našao James Blunt. Prvu je, ako se ne varam, izmasakrirao VIP, ovu se svim silama trudi izmasakrirati T-Mobile. Da, super je kad netko čim luje pjesmu ima asocijacije na Brand ali kad netko dobije grčeve u želudu na samo par taktova pjesme… ne znam… meni ne liči na neki branding.
Ljudi, ne šalim se, ja trčim u drugu sobu prebaciti program jer znam da kad krene jednom odmah iza idu još jedna ili dvije i to sa tom istom muzikom i pilana je do bola… Ne mogu više… Jestu bjutiful ste svi i metroseksi sa povišenim kreštavim i cendravim glasovima pilate na neke emocije ali dajte shvatite… pretjerujete … ovo boli za uši.
Ahm… dođe mi da izađem sa kalašnjikovim i… ali ne… već je netko puko… garant zbog pjesme. Ma sto posto je lik malo popio i nakon bzilijuntog puta što je čuo sad već iritantne taktove… sasuo rafalom po prvoj anteni koja mu je bila blizu. Oš se kladit…
Netko ulaže u predosadne reklame i pila mozak svima, a netko ulaže u optiku. Tako to uvijek ide… ali… pazi tko će iduće godine dobiti optiku do doma… FTTH…
Ericsson selected to build Nigerian FTTH network
December 18, 2008 – Ericsson has been chosen by Nigerian telecoms company 21st Century Technologies to supply, build and systems integrate a nationwide residential fibre-to-the-home (FTTH) network to enable the delivery of advanced services including high-speed broadband, IPTV and VoIP by the telco.
Deployment of the network to the first 10,000 homes will start in January of next year, according to Ericsson, for which it will provide an end-to-end Deep-Fibre Access Network with EDA 1500 for GPON access and fibre cables, including Ribbonet and Micronet air-blown fibre systems. The contract also reportedly includes Redback SmartEdge 1200 routers and Ericsson’s IMS solution for the core network, enabling seamless access to a range of multimedia services.
"We are delighted to work with Ericsson to deploy and integrate one of the world’s most sophisticated network architectures for fibre optics," said Wale Ajisebutu, Managing Director of 21st Century Technologies. "With the combination of Ericsson’s GPON (Gigabit-capable Passive Optical Network) and IMS (IP Multimedia Subsystem) technology, we can deliver an enriched multimedia experience to our customers."
Nigerija. Nije ni čudno… oni nemaju HAKOM…
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prosinac 27th, 2008 on 20:03
Nevjerovatno, baš sam se danas pitala da li je moguće da ja sad već toliko ne volim T-com, da mi se od te pjesme riga, ili je pjesma sama po sebi toliko loša da izaziva tu reakciju kod mene.
I da, odmah mijenam kanal, gasim ton, bježim glavom bez obzira iz dnevnog čim čujem prvi takt te reklame.
prosinac 27th, 2008 on 20:12
Nema to puno veze sa T-Comom, ponavljanje jedne te iste muzičke fraze u stalnim intervalima koristi se kao metoda mučenja. Bez obzira na vrstu i/ili kvalitetu muzike nakon nekog vremena samo ponavljanje izaziva prvo mučninu pa nakon toga i neke druge posljedice na psihu. Oni se tako prokleto zahebavaju sa vlastitim brandom da su proizveli efekt mučenja ili upravo kontraefekt i većini ljudi jednostavno zgadili samu pomisao na nešto što je inače sasvim simpatična nostalgično/melanholična melodijica…
Music as torture.
http://www.sibetrans.com/trans.....ck_eng.htm
Although it seems to be both more widespread and older, the calculated use of music in “detainee interrogations” is less easy to trace than the use of sound as a weapon. Evidence from the current war is spotty, based on the debriefings of released detainees by international human rights organizations and reporters, on the accounts currently detained persons have given to their lawyers, or on urban legends that circulate on the internet, some of which are corroborated by the other two kinds of accounts. Still, it is absolutely clear that music plays an important role in the interrogation of detainees in the war on terror. As early as May 2003 the BBC reported that the US Army had used Metallica’s “Enter Sandman” and Barney the Purple Dinosaur’s “I Love You” in the interrogation of Iraqi detainees, playing the songs repeatedly at high volume inside of shipping containers.{7} Documents obtained by the ACLU include an email from an unidentified FBI agent, dated Dec. 5, 2003, that describes at least three incidents involving Guantanamo detainees being chained to the floor and subjected to “extreme heat, extreme cold, or extremely loud rap music”.{8} . The June 12, 2005 issue of Time included a story based on the 84-page log of Mohammed al Qahtani’s interrogation there from November 2002 to January 2003 (Zagorin and Duffy 2005){9} . Qahtani’s interrogations began at midnight; whenever he dozed he was awakened either by water poured over his head or the sound of Christina Aguilera’s music. In December 2005, Human Rights Watch posted brief first-person accounts of detainees released from a secret prison in Afghanistan, many of whom asserted that part of their experience included being held in a pitch-black space and forced to listen to music that they described, variously, as “unbearably loud”, “infidel”, or “Western”. The same posting included the account of Guantanamo prisoner Benyan Mohammed, an Ethiopian who had lived in Britain, and who had been forced to listen to music by Eminem (Slim Shady) and Dr Dre for twenty days before the music was replaced by “horrible ghost laughter and Halloween sounds.” {10} A long New York Times story on March 19, 2006, described in detail “Camp Nama”, the headquarters of a multiple-agency interrogation unit at Baghdad International Airport; there, “high-value detainees”–those believed to have information directly pertinent to battlefield movements, terrorist ringleaders, or imminent terrorist attacks–were sent first to the so-called “Black Room”, a garage-sized, windowless space painted black where “rap music or rock’n’roll blared at deafening decibels over a loudspeaker” (Schmitt and Marshall 2006) {11} . Read together, these reports suggest that the “deafening music” is usually delivered to a detainee who has been chained into a “stress position”, in a pitch-black space made uncomfortably hot or cold.
prosinac 27th, 2008 on 20:19
http://www.theregister.co.uk/2.....c_torture/
Christmas music in shops is “torture”, the “forgotten pollutant” which shop workers must be able to silence for the sake of their sanity, according to activists, trade unions and a peer. The government is being asked to investigate the problem.
Campaigners and trades unions have spoken out about the playing of Christmas music in shops over an ever-extending festive period and the psychological effects that the repetitive tunes can have on staff who have no choice but to listen to it.
Repetitive: This is usually used in Chinese torture techniques, but applies to lots of things. Repetitive music is always fun, but something as simply as letting water drip in the same area over time applies. Even something as small as a drop of water can cause massive bruises if it is continuous over a large period of time.